![]() If this technique still doesn’t work, it’s not uncommon for me to bring all of the esses to their own audio track and process them separately from the rest of the vocals. ![]() Part of my ever-evolving vocal mixing method now involves using clip gain to bring down each and every “s” before I touch the vocals with processing. I do find that the Decapitator (and many other saturators) can make esses sound harsh and noisy. To combat this, I find myself using a variety of saturati Play Video Mix Tip: Most low-budget digital rigs leave vocals sounding cold, thin and lifeless. One of the downsides of virtually anyone being able to afford a DAW and recording interface is that the sound quality of such affordable setups is undeniably lacking. Soundtoys Decapitator vocal mix tip from PureMix
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